A brief discussion on the principle of returning to basics and the beauty in its simplicity
In the realm of calligraphy, the single character 永 (ei) is often introduced to beginners as a fundamental practice stroke. At first glance, it is just one character, seemingly simple. Yet, within its eight distinct strokes lie the essence of brushwork: the dot, the horizontal, the vertical, the left and right diagonals, the hook, and the sweeping curves. This character encapsulates the basic elements that underpin the art of writing, forming the foundation upon which more elaborate expressions are built.
In much the same way, the first seated kata in Iaido, Mae, serves as a microcosm of the entire discipline. Simple in structure, it embodies a wide spectrum of fundamental movements: drawing the sword, cutting, transitioning, and noto. These actions appear straightforward, yet beneath their surface lies a complex interplay of timing, precision, and control.
The true challenge is not merely in execution but in the depth of understanding required to execute well. A single stroke of the brush or pen can express power or delicacy, certainty or hesitation. Likewise, an action in Iaido is not just a mechanical motion but a living expression of intent and presence. Each repetition brings subtle refinement, each mistake a lesson, and each success a deeper appreciation of the craft.
What is basic is not always easy. And what is easy to see is not always easy to master. It is a reminder that true depth is often hidden within the fundamentals, waiting to be discovered by those willing to dedicate themselves to mastery.
Singapore Genyokan (厳洋館) is an official dojo of the World MJER Iaido Federation 正統正流無雙直傳英信流居合道国際連盟